So, here it is!
My first attempt at a Fan Fiction!
I wanted to sort of expand upon some of the ideas that I discussed from my previous post about Kevin and Dana's opposing roles in their relationship to history at the level of the body.
I've attempted a pseudo-role reversal in that aspect, while introducing an element of causality that the novel doesn't address.
I give all credit to original texts taken from the novel Kindred by Octavia Butler, and I hope that you appreciate my synthesis of creative interjection with the original work.
Enjoy!
My first attempt at a Fan Fiction!
I wanted to sort of expand upon some of the ideas that I discussed from my previous post about Kevin and Dana's opposing roles in their relationship to history at the level of the body.
I've attempted a pseudo-role reversal in that aspect, while introducing an element of causality that the novel doesn't address.
I give all credit to original texts taken from the novel Kindred by Octavia Butler, and I hope that you appreciate my synthesis of creative interjection with the original work.
Enjoy!
I woke up a week later still in the hospital.
I tried to think through
the drugs and remember what had happened, and then the throbbing, distant pain
in my arm reminded me.
I closed my eyes,
remembering. The knife. Rufus. The memory of Rufus’s unyielding grip. A hot,
agonizing pain. I remembered coming to a few days earlier, and seeing the empty
place…the stump. I opened my eyes to face the loss of my limb, thinking vaguely
that I was glad it hadn't been my right arm.
An incubator lay next to
me enveloping my left arm, from above the elbow and down. It breathed in
mechanical intervals that seemed to slow down as my heart monitor sped to a
race of blips that rang in my ears, telling me that I was indeed awake. My eyes
opened wider still, as if hoping to understand something better by peeling my
eyelids back, and I forced a measured breath in…and out. In, and out, staring
at the breathing incubator.
I turned to my right and
grabbed the nurses call button and pressed it firmly, two, three times. The
room around me looked like any ordinary hospital room I had ever seen, but this
alien structure encompassing my arm felt as if it didn't belong.
Suddenly I feared for my sanity, that my memories of Rufus and Alice and
Nigel and the other slaves of the Weylin property were hallucinations. I
remembered the sting of my back and the crack of a whip echoing in the air, and
then the room seemed to blur and darken around me. I was struck with a sudden
fear that Rufus was calling me back, that I hadn’t killed him with that last
thrust of my knife. I began to feel dizzy, nauseated. I waited for it to come,
but I stayed in my bed and the room around me didn’t change. I fought my
dizziness and focused on the bare wall in front of me. It had all felt so real,
more real than this moment. I began to wonder if I could I have imagined the
entire thing. Was I hallucinating still, or dreaming? And then an even scarier
thought, what kind of hospital was I in, anyway?
I pressed the nurses
call button a few more times in a row, clutching it in my right hand to assure
myself that I was awake. I desperately needed answers and questioning my own
sanity was not helping.
A nurse walked into the
room, and smiled as she noticed I was awake and coherent enough. “Oh good,
you’re awake,” she said kindly. She moved toward the incubator. “Let’s just
take a look and see how your regrowth process is going.”
Regrowth process? “Can
you tell me what this thing is?” I asked, motioning with my eyes to the
structure around my arm.
“This is the Tissue
Rebuilding Incubator Pod that is rebuilding the bone, muscle, and tissue in
your arm, of course!” She seemed to forgive my ignorance due to my injuries,
but continued as if it was still an odd question. She put on a pair of blue
latex gloves and pressed a series of buttons on the side of the structure.
“You’ve probably never seen a real one up close, have you?” She opened the lid
to the incubator and it let out a long sigh, as if it was tired from breathing
the life back into my arm.
I felt her touch my
elbow, forearm, and fingertips. I was shocked that I had feeling that wasn’t
the result of a phantom sensation. But just to be sure, I asked “You’re
touching my arm, right?”
She smiled again. “Yes,
that’s good you can feel that,” she reassured me. Her warm eyes twinkled
slightly, and her kind face assured me that this was real. It wasn’t a dream.
And I wasn’t hallucinating. Or if I was hallucinating, it was quite convincing.
“You should be able to
go home within a day or two with a well-functioning left arm,” she said as she
replaced the lid to the incubator. It began making that slow, steady breathing
sound once again. She turned around and removed the latex gloves from her
hands, and I wiggled the fingers on my left hand.
I could feel them move!
I had felt my arm squeezed
off from the rest of my body. I had seen the stump where my arm had once
attached above the elbow. And now I felt the fingers of a new arm move gently
inside the incubator.
I smiled.
*
* *
EPILOGUE
We flew to Maryland as
soon as my arm was well enough. There, we rented a car—Kevin was driving again,
finally—and wandered around Baltimore and over to Easton. There was a bridge
now, not the steamship Rufus had used. And at last I got a good look of the
town I had lived so near and seen so little of. We found the courthouse and an
old church, a few other buildings time had not worn away. And we found Burger
King and Holiday Inn and Texaco and schools with black kids and white kids
together and a plaque in the middle of town directing us to the Weylin house.
Actually it directed us
to “The Plantation that Gave Birth to Modern Medicine: The Weylin House.”
That one threw us for a
loop. Kevin and I looked at each other, and then back at the sign. I moved
closer to him. “‘The Plantation that Gave Birth to Modern Medicine,’ huh?”
Kevin said, his brows furrowed. “Well there’s something I’ve never heard of…”
he trailed off, absently rubbing the scar on his forehead. We followed the
directions to the Weylin house and discovered that it was still standing, and a
museum.
There was a large sign
down the road, now a paved road, and another above the front door to the house.
Aside from these attachments, the house looked the same as I remembered it. It
had been maintained well over the years. There were a few other groups of
people, and one large group of school children with one older teacher trying to
tame them through the tour.
They were offering tours
of the Weylin house.
Kevin and I grabbed a
brochure from a table by the door and caught up with our present world. On the
front was an old picture of a white man, the doctor that we had both seen when
Rufus had broken his leg. I realized that I had never learned his name. It
read, Dr. T. Raleigh Garrison: The Father of Modern Medicine. This
man seemed nearly incompetent in the few interactions I’d had with him, and
when I looked up at Kevin I saw we shared the same confused frown. If this
man’s medical practices had somehow made an impact in modern medicine, I feared
for humanity.
Inside the brochure was
a short autobiography and a detailed description of how this man’s primitive
concepts of medicine had transformed the industry. I felt a sting of surprise
in my chest when I recognized Rufus’s name on the paper in my hands.
My stab wounds hadn’t
been immediately fatal, and Nigel had called the doctor. I had left my
pack…full of modern medicine. He had used the medication that I had brought
back for myself! Not surprisingly, modern medicine or not, Rufus didn’t last
long under his care. He died a few days later, but the doctor must have been
intrigued by my seemingly “miracle” medication. Dr. Garrison conducted
experiments with what was left of my muscle relaxers and pain medications and
compared his results to his knowledge of opiates. He had made a deal with Mrs.
Weylin, and had used the slaves on the plantation as subjects for his
experiments. The brochure didn't mention my part in it, or anything
similar to the outlandish reality. But it was the only explanation that filled
in the gaps between incompetence and a plantation of people forced to act as
experimental test subjects.
“Do you want to go
inside?” Kevin asked me, cautiously. I realized that this must have been his
second time asking me this, and the most I could do was nod. There was a small
gallery area in the entrance room, and on the walls hung aged posters in shiny
frames preserving them. Illustrated with smiling white faces and diseased,
suffering black bodies, the posted screamed at down at us, We buy
diseased slaves! and Put your sick and injured slaves to use!
Sell now! My stomach turned and I felt nauseous. I grabbed Kevin by
the arm, and he saw in my eyes what I couldn’t say out loud.
“My God,” Kevin gasped,
as we walked quickly away from the house and down the road back to town.
“All those people…” he trailed off, lost in thought. I breathed in the fresh
air and reminded myself where I was. Rufus was dead, and he couldn’t call me
back. There was nothing I could do for those people, for my friends.
The brochure didn’t
mention what had happened to Margaret Weylin after she made a deal with the
doctor, or the fate of Rufus’s children, my ancestors. Rufus had sent them away
to his aunt in Baltimore. Hopefully she accepted them as family. At the very
least, Joe and Hagar had to survive, because I was still here.
“It’s over,” I said.
“There’s nothing we can do to change any of it now.”
“I know.” He drew a deep
breath. “I wonder what happened to the slaves I helped escape—maybe they stayed
free…” He rubbed the scar on his forehead. “I can’t stand to think about
someone like that finding them…conducting experiments.” He said
that last word like it was a curse word.
It was based upon these
early experiments that lead to the regrowth technology that had mended my
severed arm. Without the horrible actions of this man, I would still have the
stump that I remember seeing, the empty place.
I touched the healing
outline of Tom Weylin’s boot that had cut into my face, and looked down at my
left arm. I wiggled my fingers one after the other, watching the new, slightly
lighter skin pull down with each stroke. I looked at Kevin, at the scar on his
forehead, and wondered if there was a new medical technology that could heal
that too.
Kevin let out a sigh. “Why
did I even want to come here. You’d think I would have had enough of the past.”
“You probably needed to
come here for the same reason I did,” I replied, still examining the skin of my
new arm. With my right index finger I traced a line from where Rufus had
grabbed me to my wrist, and felt the softness of the new skin. “To try to
understand. To find solid evidence that that those people existed. To reassure
yourself that you’re sane.”
Kevin looked back
towards the Weylin house, the museum that preserved some unfamiliar part of the
past. “If we told anyone else about this, anyone at all, they wouldn’t think we
were so sane,” he said, his gaze still fixed behind us.
“We are,” I said. “And
now that Rufus is long dead, we have some chance of staying that way.”
This is a very interesting rendition of the ending! We talked a lot about the logistics of the time travel in class, and I like that you expanded on that issue by exploring the effects of Dana bringing things from the future into the past. I had thought about this ideas from my fan fiction too, but you took it in a very different direction than I would have, which I enjoyed reading. I like that by bringing present day medicine into the past, Dana somehow speeds up time and advances medicine so that she is no longer living in the present she is used to, almost as if she is still time traveling. As if she can no longer go back to the life she had before because her time travel experience has forever changed, physically and mentally. The idea of Dana being the source of more torment on the slaves is very interesting, but also devastating. In the original ending, Dana's missing arm represents the part of herself that will always stay in the past, but here, she bears a new arm that represents a guilt for causing such pain and violence. I also noticed that you switched Dana and Kevin's discussion at the end of the epilogue. Because Dana is fixed, meaning that she no longer bears the scars of the past (and is literally whole again), she doesn't need to look for answers - she is completely in the present. Instead, Kevin is the one seeking answers for what happened to them because he still has the mark on his forehead to remind him. Very well done!
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